Max describes his process of taking his Bison in a Snowstorm image which won the Wildlife Photographer of the Year in the Black and White Category.
Alister discusses the negative impacts of photographing with expectations and how we can change our mindset to see beyond things and ourselves.
Welcome to “In Layers”, a series of conversations that explore how the creative practices of photographers inform their images, guide their process, intersect with their personal lives and interests, and shape the landscape of nature photography as an art form. You know those people that seem to have talent coming out of their ears? Matt
Eric discusses a more quiet approach to photography rather than the usual approach on social media of yelling to get attention with bold images.
Learn how to tell a story using composition. Use visual weight to balance the characters in your image. Communicate the depth of of the 3d world in a 2d medium.
Gary Randall describes his struggles with creative slumps and how to work your way through them when you hit this inevitable roadblock as an artist.
“To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.” ~Berenice Abbott As a child, I loved everything wild and natural. Animals, landscapes, trees, flowers, seashores, deserts, mountains—the more removed from the artificial world of humanity, the better. I spent much of my time
Sarah shares her techniques for photographing small scenes and macro using shallow depth of field to simplify and create abstract photographs.
Alain shares his views on the art of post-processing in the digital darkroom and how it compares to musical scores.