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The Art of Motion and Light: A Journey into Wildlife Photography

By / 7 minutes of reading

In a world that chases sharpness and technical perfection, I’ve chosen to embrace something different – motion, light, and emotion. My wildlife photography isn’t just a way to document the world as it is – it’s a way to interpret, to express, and to invite others into the stories I see in the wild. It’s my personal language, one that speaks not only through subjects but through how they move and glow under nature’s changing light.

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The Wild Palette: Painting Nature Through My Lens

By / 5 minutes of reading

Have you ever felt the rush of excitement when a subject finally aligns with the perfect light? Moments like these remind me why I love photography: capturing fleeting beauty that can never be replicated. Photographing subjects like langurs has taught me the value of patience.
More often than not, it’s the scene itself that sparks my creativity. When the right light and elements come together, I instinctively seek out subjects to complete the composition. While I occasionally find cooperative subjects, I sometimes struggle to find a compelling backdrop.
However, when a dramatic scene unfolds, my mind naturally begins to search for the perfect subject to complement it.

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20240216 LakeMagadi DSC5834 Enhanced NR

The Nature of the Abstract

By / 5 minutes of reading

With its beautiful colors, intricate patterns, and graceful flamingos, Lake Magadi has been a highlight of my 30-year journey as a nature photographer. It felt like a final exam of sorts: a technical challenge requiring abstract compositions and quick captures of giant flocks of birds within a limited time. But it was so much more than that.

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Peripheral Landscapes Murray Livingston

Peripheral Landscapes

By / 10 minutes of reading

Perception is not limited to just the visual sense, but rather it is a way of interacting with the world around us. Murray Livingston suggests that engaging a perceptive agency that is out-of-sight requires surrendering ourselves to a conversation with nature and being open to what lies beyond our horizons. He explores the concept of periphery in photography, which refers to the edges or margins of a photograph; this is important because it forces the viewer to imagine what lies beyond the frame and can become an ethical question of what the photographer reveals or conceals.

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