Lost in a Fog
Ed explains why he loves photographing in the fog and how it adds mood and mystery to your photographs
RULES: An Enemy of Personal Expression
Sarah explains why rules are a barrier to your personal expression and why you should ignore much of the advice you receive when it comes to your photography.
FLOW
Why do we photograph? It’s a simple enough question. There are a variety of reasons. Most landscape photographers will tell you that it’s in order to be outdoors and enjoy the natural world. I’ve never felt comfortable with that answer. Closer to the truth are artists who will tell you they cannot not do what …
Macro Workshop by Mark Seaver
Mark will share insights into macro photography in this mini-workshop.
Sarah Marino – Essential Lessons for Crafting Better Compositions
Sarah will share her essential lessons about how to create more powerful compositions of both grand landscapes and nature’s small scenes.
Seeing the World in Black and White
In January I spent two weeks in Yellowstone. At the time I was feeling inspired… almost fired up! This was my first winter visit to Yellowstone trip since I created what is now my most well-known photo, and I found myself wanting to see what fresh, creative avenues I could explore in that vein that might produce other …
Thinking in Themes
Bill shares his thoughts on improving your photography portfolio by organizing into themes, by finding what you are passionate about to show off your vision.
Connecting With Our Audience
Chris discusses why having an audience with whom to communicate and share our work, our ideas and emotions, is an integral part of the creative process.
Brenda Tharp – Expressive Nature Photography
Presentation Description Brenda believes that great photography is a marriage of craft and vision – that you can’t have one without the other. Yet to have an image to ‘craft’ you must have vision first. This webinar will discuss both sides of that equation while Brenda share her ideas and images. She will discuss the …
Shooting, Fast and Slow: Two Modes of Thought
Dan examines how photography can be both slow and calculated and also fast and unthinking. Or how some of his best images took 30 minutes to compose while others happened in a matter of seconds.
