Long-form articles focused on creativity and the artistic side of photography.
When I first took an interest in photographing wildlife, and specifically birds, the mental model of the shot I wanted to capture was modeled after the images I’d see in bird ID books. That meant great detail in the plumage,
Ed shows us how the edges of seasons are his favorite and can help you add depth to your portfolio.
Guy dives into the world of introverted nature photographers. What makes us different, and how we can learn to understand each other.
Antonio explores the human psyche to express his dark side through his hauntingly beautiful photography.
Max describes his process of taking his Bison in a Snowstorm image which won the Wildlife Photographer of the Year in the Black and White Category.
Alister discusses the negative impacts of photographing with expectations and how we can change our mindset to see beyond things and ourselves.
Eric discusses a more quiet approach to photography rather than the usual approach on social media of yelling to get attention with bold images.
Learn how to tell a story using composition. Use visual weight to balance the characters in your image. Communicate the depth of of the 3d world in a 2d medium.
Gary Randall describes his struggles with creative slumps and how to work your way through them when you hit this inevitable roadblock as an artist.
“To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.” ~Berenice Abbott As a child, I loved everything wild and natural. Animals, landscapes, trees, flowers, seashores, deserts, mountains—the more
This article is a sample of the quality content you will find in Nature Vision Magazine.
