Nature Vision Articles

Category: Nature Vision Articles

Explore a curated collection of articles tailored for nature photographers. Uncover tips, tricks, gear recommendations, and inspiring stories from seasoned professionals. Dive in to enhance your nature photography skills.

Snow And Fog Arches NP

2020 Yearly Editors Picks

The 2020 Editors Picks for the Nature Photographers Network including Nature Photographer of the Year.

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Enhancing Mood

Eric talks about the benefits of adding mood to your images and the different ways to get there with light, color, vignettes, and removing context.

Lost in a Fog

Ed explains why he loves photographing in the fog and how it adds mood and mystery to your photographs

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RULES: An Enemy of Personal Expression

Sarah explains why rules are a barrier to your personal expression and why you should ignore much of the advice you receive when it comes to your photography.

Dark moody forest scene with green trees and darkness

FLOW

Why do we photograph? It’s a simple enough question. There are a variety of reasons. Most landscape photographers will tell you that it’s in order to be outdoors and enjoy the natural world. I’ve never felt comfortable with that answer.

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Seeing the World in Black and White

In January I spent two weeks in Yellowstone. At the time I was feeling inspired… almost fired up! This was my first winter visit to Yellowstone trip since I created what is now my most well-known photo, and I found myself wanting to

Autumn Snowstorm, Yosemite National Park, California 2015

Thinking in Themes

Bill shares his thoughts on improving your photography portfolio by organizing into themes, by finding what you are passionate about to show off your vision.

Fallen

Connecting With Our Audience

Chris discusses why having an audience with whom to communicate and share our work, our ideas and emotions, is an integral part of the creative process.

Dan Ballard Photo Example

Shooting, Fast and Slow: Two Modes of Thought

Dan examines how photography can be both slow and calculated and also fast and unthinking. Or how some of his best images took 30 minutes to compose while others happened in a matter of seconds.

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