Macro Workshop by Mark Seaver
Mark will share insights into macro photography in this mini-workshop.
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Sarah Marino – Essential Lessons for Crafting Better Compositions
Sarah will share her essential lessons about how to create more powerful compositions of both grand landscapes and nature’s small scenes.
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Seeing the World in Black and White
In January I spent two weeks in Yellowstone. At the time I was feeling inspired… almost fired up! This was my first winter visit to Yellowstone trip since I created what is now my most well-known photo, and I found myself wanting to see what fresh, creative avenues I could explore in that vein that might produce other
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Thinking in Themes
Bill shares his thoughts on improving your photography portfolio by organizing into themes, by finding what you are passionate about to show off your vision.
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Connecting With Our Audience
Chris discusses why having an audience with whom to communicate and share our work, our ideas and emotions, is an integral part of the creative process.
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Brenda Tharp – Expressive Nature Photography
Presentation Description Brenda believes that great photography is a marriage of craft and vision – that you can’t have one without the other. Yet to have an image to ‘craft’ you must have vision first. This webinar will discuss both sides of that equation while Brenda share her ideas and images. She will discuss the
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Shooting, Fast and Slow: Two Modes of Thought
Dan examines how photography can be both slow and calculated and also fast and unthinking. Or how some of his best images took 30 minutes to compose while others happened in a matter of seconds.
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John Barclay – Dream – Believe – Create
Why Dream – Believe – Create? There was a time when I felt I could not create. My self-talk was, I am not a creative person, I’m not smart enough, I can’t do this. After seeing images projected at the first workshop I took, I dreamed of becoming a good photographer. Primarily with the help
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Alister Benn – It’s all about Luminosity & Contrast
In 2017 Alister Benn had an epiphany, not surprisingly it was in a desert, the Gobi Desert. With nothing but sand for thousands of square miles and being days from the nearest road, there was a realization that there were no classic compositions in view. Everything before him was sand; textures, layers, transitions. It was
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Creating A Diverse Portfolio
Eric shares ways to diversify your portfolio and not get stuck in one style of photography.
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