Long-form articles focused on creativity and the artistic side of photography.
In my photography, I aim to convey the impressions and emotions I experience in nature. Along the way, I have found myself drawn to the extreme ends of photographic techniques, be that ultra-wide or super-telephoto, blackout or whiteout, long shutter
In a world that chases sharpness and technical perfection, I’ve chosen to embrace something different – motion, light, and emotion. My wildlife photography isn’t just a way to document the world as it is – it’s a way to interpret, to express, and to invite others into the stories I see in the wild. It’s my personal language, one that speaks not only through subjects but through how they move and glow under nature’s changing light.
Minimalism in photography isn’t about having less; it’s about revealing more by removing what are, in my opinion, distractions. It’s about creating space: space for the subject to breathe, and space for the viewer to pause and feel. In the following section, I’ll share a few practical tips I often use to bring simplicity into my work. They’re not strict rules, as the creative mind doesn’t fit in a box or, in terms of photography, a grid, but guiding ideas to help you focus on what matters in an image. Think of them as suggestions, things that work for me but might not necessarily work for you. This is simply my perspective. A vision. Minimalistic. Imaginative. Two-dimensional.
Aside from the fascinating patterns, structures, and light displays waiting to be discovered, photographing in these kinds of conditions also pays off in terms of equipment and technique. The bright light during a sunny day will result in very fast shutter speeds.
In nature I can switch off and leave everyday life behind. The first chirping of birds before sunrise, the intense glow of mountain peaks in the last light of the day, the gentle pattering of rain on the leaves in the forest, when wisps of mist mysteriously drift across the landscape, or the colorful northern lights dance in the night sky – all these moments are of incomparable beauty to me.
With the constant pressure from social media, people often forget the most important part: enjoying the experience. At the end of the day, astrophotography is about getting outside and experiencing the night sky. Whether it’s lying on the beaches of Crete and watching the Milky Way set, or braving the Arctic cold to witness the Aurora Borealis, the goal remains the same — to connect with and experience something greater than ourselves.
Have you ever felt the rush of excitement when a subject finally aligns with the perfect light? Moments like these remind me why I love photography: capturing fleeting beauty that can never be replicated. Photographing subjects like langurs has taught me the value of patience.
More often than not, it’s the scene itself that sparks my creativity. When the right light and elements come together, I instinctively seek out subjects to complete the composition. While I occasionally find cooperative subjects, I sometimes struggle to find a compelling backdrop.
However, when a dramatic scene unfolds, my mind naturally begins to search for the perfect subject to complement it.
Today, my passion for macro photography and the role invertebrates play in our environment has never been greater. Whether exploring my backyard or visiting new places, each outing feels like an adventure. When I photograph new-to-me species and capture those fleeting moments that I get to share with the world, I’m inspired to keep looking closer to see what I’ll find. In retrospect, I realize I didn’t find my niche — it found me. All along, it was waiting for me to notice it. My journey from casual photographer to macro specialist was unexpected, but through it I have learned the value of curiosity, experimentation, and being open to new experiences.
There are countless techniques that can be used today. But what fascinates me most is the story that a picture can tell. Every motif, every scene has its own narrative — the mood of a lonely forest path at night; the hidden world of small creatures in the undergrowth, like the silhouette of a mouse in the rain; or the quiet play of light and shadow at dusk. My aim is not just to create a picture but to capture a moment that awakens emotions and questions in the viewer, giving them a glimpse into a world that is often overlooked.
Series Apariciones, which means “Appearances”
Maybe showing only the surface is a defense mechanism,
or perhaps an energy-saving resource, I don’t know.
Just like the sea, there are also people
you need to dive into a little, show them genuine interest,
and then … only then, like the sea, do the appearances begin.
The fears, the enigmas, the mysteries … but also the magic! ✨
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